Pitching
Woo: Interview with Reel.com by Pam Grady http://www.reel.com/reel.asp?node=features/interviews/lee
Helen
Lee by Fiona MacDonald, Playback Magazine, June 25, 2001
"Challenging
the establishment, local independent films blossom"
by Sohn Tae-soo, The Korea Herald, Friday, June 14 1996.
Helen
Lee, Kino, April 1996
Helen Lee,
Magazine X, 1996
Helen Lee,
Popcorn, Korea, 1996.
Helen Lee,
Roadshow, Seoul, December 1995.
Helen
Lee, The Korea Times, September 8, 1995.
Helen
Lee, The Korea Times, June 19, 1995.
Helen
Lee, The Korea Times, June 13, 1995.
Helen
Lee Interview, Screen, 1995
Helen
Lee, In Seoul Magazine, 1995
Ten
Years of Dreams About Art by Laura U. Marks
Indie,
City Entertainment
"Representing Ourselves: Films and Videos by Asian American/Canadian
Women,” by Marina Heung, Feminism, Multiculturalism and the
Media
"Die Sichtbarmachung des Kolonialen
Diskurses: Das Stereotyp und der Weibliche Korper in Sally’s
Beauty Spot,” Robin Curtis, Frauen und Film, No. 54/55, 1995.
"In Search of Asian American Cinema,” Peter Feng, Cineaste,
Vol. XXI Nos. 1-02, Spring 1995.
”Seeing
Yellow: Asian Identities in Film and Video,” Richard
Fung, The State of Asian America, Karin Aguilar-San Juan, ed. Boston:
South End Press, 1993.
"Culture Clash: Asian American Independents on the Edge,”
Gita Reddy, A Magazine, Vol. 2, No. 2.
“My
Niagara Debuts,” James Park, The Korea Times, Toronto,
Canada, Sept. 7+9, 92.
“Interview
with Helen Lee,” Francesa Duran, LIFT Newsletter,
Oct. 1992.
"Looking for Chan: Mapping Identity
in Asian American Cinema,” Ira Sachs, Off-Hollywood Report,
Vol. 7, No. 1, Spring 1992.
"Challenging the Asian Illusion,” Richard Fung, FUSE,
Winter 91.
"The Hybrid State Films,” Lawrence Chua, NYQ, Nov. 10,
1991.
“Sally’s
Beauty Spot: Interview,” Anne Jew, Discorder, Vancouver,
July 1991.
”Yellow Peril Reconsidered,”
Paul Wong, Video Guide, Vol. 11, No. 1, Issue 50, Spring 1991.
"Coloring Outside the Lines,” Darrell Moore, Afterimage,
Vol. 19, No. 9, April 1991.
”Desire
and Dissolution,” Laura U. Marks, Afterimage, Vol.
19, No. 9, April 1991.
Writings by Helen
Sex
Acts: Two Meditations on Race and Sexuality, Celine Parreñas
Shimizu & Helen Lee, Signs: Journal of Women in Culture and
Society. Chicago: University of Chicago Press, Vol. 30, 2004.
Dirty
Dozen: Playing 12 Questions with Richard Fung from Like
Mangoes in July: the Work of Richard Fung. Co-edited by Kerri
Sakamoto. Toronto: Insomniac Press/Images Festival, 2002.
”A
Peculiar Sensation: A Personal Genealogy of Korean American Women’s
Cinema,” Dangerous Women: Korean Women and Nationalism,
Elaine Kim and Chungmoo Choi, eds. New York: Routledge, 1997 (also
excerpted in Cineaste, Spring 97, and reprinted in Screening
Asian Americans, edited by Peter X. Feng (New Jersey: Rutgers
University Press, 2002).
Guest Editor, co-edited with Cameron
Bailey, Take One, Special issue on Race and Canadian Cinema, ol. 5,
Summer 1994.
Anticipation,
Helen Lee in conversation with Midi Onodera
“Notes from the Indie Circuit: Sampling Independent Films
at the 1993 Toronto Festival of Festivals,” FUSE, Vol. XVII
No. 2, Winter 93/94.
“Breaking Out: Tama Ba?! Tama Na! Enough is Enough,”
Fireweed, Fall 1993, No. 41.
Book Review, When the Moon Waxes
Red: Representation, Gender and Cultural Politics, by Trinh T. Minh-ha,
Literary Research, No. 19, Spring 1993.
Book Review, Moving the Image: Independent Asian Pacific American
Media Arts, FUSE, Vol. 16.1, Fall 92.
”Finding
the Audience,” co-written with Michael Zyrd, Independent
Eye, Vol. 12, No. 2, Winter 1991.
“North of the Border: Filmmaking
by Asian Canadians,” Asian CineVue, Dec. 1990.
"Independent Documentary in
India: an interview with Manjira Datta,” Fireweed, Issue 30,
Feb. 1990.
"Canadian Crosscurrents: The Images 1989 Festival, The Independent,
Vol 12, May 1989.
Safe Sexual Imagery: Images 1988, Cinema Canada, July/August 1988.
"The Fantastic Reality of Twins: On
Location, Dead Ringers,” Cinema Canada, April 1988.